How do you come up with story ideas? It’s a question most
authors have heard a bazillion times. The answer is—it all depends.
Ideas can come from anywhere and everywhere: a personal
experience, news item, chance-heard remark, book that didn’t turn out “right,”
or the fleeting glimpse of a person or a place. Sometimes things get started
with an unusual character, an intriguing situation or even a theme. Once in a
great while a story arrives complete in every detail, like a flower unfurling
its petals in the mind. More often, however, it begins with the germ of an idea
and develops as bits are added one after the other.
My WIP (Work in Progress) is a case in point. I haven’t
quite finalized the title, but it will probably be some variation of THE AMALFI
ABDUCTION. The book will be #3 in my current Italian Billionaires series from
Steel Magnolia Press. The other two books are THE TUSCAN’S REVENGE WEDDING, and
THE VENETIAN’S DARING SEDUCTION, so you can probably see where I’m going with
it. I love Italy and the Amalfi Coast is a beautiful area that I enjoyed while
visiting there.
So I want to write about the Amalfi Coast and I intend to
have an Italian Billionaire hero. Two things decided right off the bat. I also
want to use an abduction situation. Why? Because it has interesting
possibilities for conflict, humor and sexual tension, all of which I want in this
story. With this scenario, it seems convenient to include a private
island, and it just happens I’ve read about private islands in the
Mediterranean.
Great, three or four initial ideas meshed together. What next?
 |
Town of Amalfi, Costiera Amalfitana |
The Amalfi Coast road snakes along cliffs high above the
sea. It’s a stunningly gorgeous drive, but has such sharp bends that
it becomes almost a one-lane road in places. Smaller European cars are usually okay,
but two large vehicles such as delivery trucks or buses cannot negotiate some curves
at the same time; one of them has to back up into a conveniently placed lay-by.
When I was on this road a couple of years ago, we encountered a traffic jam as
two big tourist buses met in a curve and neither wanted to back up. Then impatient
Italian drivers crowded so close around the buses they could not move forward or back.
So what if my hero in his fancy Italian sports car is caught
in such a jam going in one direction, and my heroine in her little rental
vehicle is trapped in the other? And what if the heroine is a traffic cop from
the U.S. who unsnarls jams all day long?
Why a female traffic cop? I don’t know; it just seems to be
what the situation needs. Blame my muse. You’ll also notice I added a bit of personal
experience here to insure a vivid setting.
Okay, we’re getting somewhere. But why on earth would an OMG handsome Italian
who is rich beyond dreams abduct a somewhat too competent American woman? While
I was mulling this question a friend happened to mention her extremely vocal
and eccentric long-haired Siamese cat. Hmm. What if this incredibly valuable and
wily cat escapes its carrier in the hero’s car, and then….
Well, I won’t give away too much of the story, but hopefully
this glimpse of my thought processes will illustrate how a story can be put
together by piling one idea on top of another.
Next up: Naming the characters.
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| Since publishing her first book at age 27, New York Times bestselling and award-winning author Jennifer Blake has gone on to write over 65 historical and contemporary novels in multiple genres. She brings the story-telling power and seductive passion of the South to her stories, reflecting her 8th-generation Louisiana heritage. Jennifer lives with her husband in northern Louisiana. |
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4 comments:
Love this little entreaty into how an idea unfolds in your mind. I've experienced similar situations, in fact most of my brainstorming story ideas are like pulling teeth.
Then this weekend I was driving down the highway and a story idea hit full force. It was rapid fire and I plotted nearly half of it in a few hours.
Which do you prefer the hair pulling, drag outs with the muse or the rapid fire attacks?
I'm always *extremely* grateful for the sudden arrival of a full-fledged story, Landra! Such things seem as if they're meant to be -- even when I suspect my subconscious has been working on it in secret.
But I don't really mind assembling bits and pieces. It's usually a fun mental exercise, like putting a puzzle together. And there are the rewarding Aha! moments that make you chortle as you capture them on paper because they're so perfect.
All in all, I enjoy creating the story framework -- it's turning it into thousands of words that's the hard part.:-)
You have a weird and twisted mind, Jennifer--and I love it! However you arrive at them, your novels enthrall. Thanks for sharing how you do it. I've read all the posts so far and love it. Shared on FB, too!
Regan
http://www.reganwalkerauthor.com
A thousand thanks for sharing, Regan! I'm delighted you found something worthwhile here. Drop in again as I go along with these posts. Feedback keeps me coming up with things to write about.:)
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